Robin Morgan:
The "otherizing" of women is the oldest oppression known to our species, and it's the model, the template, for all other oppressions.

PRESS: REVIEW

Brilliant Traces
Fringe Festival 2008

Rosannah (Stacey Poirier), her car broken down in an Alaskan snowstorm, barges into the lonely home of Henry (Edward Linder), an oil rig worker with a profound desire to be left alone. Complicating matters is the fact that Rosannah is wearing a wedding dress, and that after her arrival she promptly collapses and sleeps for two entire days (Henry, despite his misanthropic leanings, has a pot of hot soup waiting for her when she wakes up). From here on we have a meditation on attachment and loss, and the heart's need for connection, with Linder and Poirier painting their characters with subtle yet purposeful strokes.

- Quinton Skinner, City Pages